german based guys massimo santucci & mark jackus aka jackus & santucci are doing it right now! with previous releases in labels such as timbee, armada or blufin and gigs in the best events like love parade in berlin are making them one of the best formations around! their new project for insert coin is massive! phoenix is a clever and dance floor killer tech house tune while mini putt will make you dance till you drop dead! do not miss the new bomb from the hotly tipped label insert coin. keep in mind: insert coin, press start and play

supported by nick curly, ahmet sisman, richie hawtin, m.a.n.d.y. cesare vs disorder, anthony collins, pherox, someone else, pheek, ...

andromat 3000, aka dj mahatma makes a thrilling return on highgrade 72. this is a release featuring three great tracks, with real hit potential. >beatroot< opens the show with a classic aural landscape and a secure sense of style. >brique< weaves its intoxicating rhythmical magic into indio- eastern vocals which make the atmosphere impossible to escape. and >cheepnis< is the offspring of funk. wide basses meet a chic disco fanfare sample for maximum effect

1st part of the ten city best of series!

rising sun is the souljazz orchestras first all acoustic afro jazz album. playing over thirty different instruments, the group creates a rich soundscape of otherwordly jazz, driven by heavy african rhythms and soulful vamps. the esoteric arrangements and fiery improvisations make it one of the souljazz orchestras most unique offerings.

quintessentials tracks are raw, but they have soul. its what we all loved about those old house records: a raw yet soulful music.

rotating assembly is a band put together by theo parrish. this loose detroit outfit evolves around 21 people, who exchange talents and energy. all tracks are written and produced and masterminded by theo parrish, who has given them his (sound) signature sound a true sound signature release. artists included in the band are: genevieve (known for vocals with recloose), maat lo (aka billy lo), marcellus pittman (recorded/djs for/with 3 chairs), rick wilhite (3 chairs), warren harris (recorded with dan curtin), andres. also newcomers such as karen bosco (most vocals) john dougalas (trumpet), king sunshine & trent mitchell (double bass) put in incredible effort to make this release a top sound signature title. from the laidback vocal tune naturally to the instrumental emotions of melt its all there to make this album an allround one. from strength to strength, theo parrish takes it to the next level, once again. the first 12 inch comes with an exclusive instrumental mix of melt.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

after a year claudio mate is back on klap klap! and during this year he has worked on his profile, making it stronger and more known around the world. his lush but driving and emotional detroit inspired techno has really been gaining strength within the circuits of those who know. this record will not make his reputation weaker for sure. we believe it will make some heads nodding in the right direction. let the music speak for itself!

support: steve bug, jay haze, someone else, mark henning, matt star, pan pot, agaric, jason emsley!!! 2009 has been an extremely busy year for billy dalessandro. on top of having recently relocated from his hometown of chicago to montreal, the year has marked his most engaging yet in terms of gigging and musical output. along with a successful three-month european tour, billy released a string of highly acclaimed singles, and his latest artist album (not to mention his growing catalog under the huge hephner and tyrone aliases). however, it should come as no surprise that the producer has saved the best for last.
>strombooty< (for details, consult your local urban dictionary) is the modern dalessandro sound, combining heady experimentation with dance floor prowess. the eps title track is a deep, yet explosive number that creeps in subtly like dark clouds on the horizon, before raining down a devastating thunderstorm over the speakers.
the latin-flavored >el tapatio< and super-deep cut >speak to me< make up the b-side. although the tracks represent different aspects of the dalessandro sound, the commonality they share is a thoughtful approach to dance music that much of the formulaic output these days lacks.

saved kicks off its 2010 release campaign with an ep from mendo and danny serrano. the duo achieved a successful 2009 between them with releases on bouq, clarisse, viva and luciano s cadenza imprint. for their saved release they present an incredible two track ep which is set to cause damage to dance floors across the globe. on the a side is yanara , a powerful deep and techy track which builds perfectly with layers of effected vocals and drum rolls to create an audio masterpiece. on the flipside is berlina . just as effective as the a-side, it possesses a grooving bassline, which works perfectly with the vocals that mendo and danny have edited flawlessly to make the track work to great atmospheric effect.

2009 was a great year for these days records, and 2010 promises to be even better. the platform stood out for its innovative yet functional club sound and unique artwork concepts. the new year begins with a new split series under the name universal consciousness, based on the idea of connection between all things, and that all things have been coordinated, and they combine to make up the same universe. the first part is dedicated to two very different takes on spiritual, cosmic space techno. on the a-side argys >sometimes im blind< generates a long and uplifting emotional climax, which features a solo that will forever stay in your heart. the track was recorded at the end of 2008, and despite numerous offers to release the record elsewhere, nothing was finalised and the recording never saw the light of day. soon after the birth of his own label, it naturally fit the platform and seemed a perfect way to start the new year. on the flip side, sheffield born alexander ross, brings forth a cavernous techno piece awash with reverberation and spacial echos that brings a driving yet non the less emotionally captivating moment perfectly in balance with the depth of the a-side.

the voyage continues. after dropping his debut album voyage direct, tom trago now drops two favorites from his live set. side a is an extended disco version of use me, morphing in to and out of the original like butter. clocking over 8 minutes use me again becomes somewhat a modern take on the original disco version. its got enough drive to make a dance floor go crazy. side b meanwhile is an exclusive from his live set. here he strips the classic >over & over< to the minimum before sliding into the original groove only for a moment, only to continue to ride the rhythm again. proper club business

soughtafter grimy edits courtesy of zernell & goodking. includes an insane edit of a rare version of norman connors classic phoenix, primed to make every spotter in the joint scratch their heads! skye edit alone makes this one to snatch up!

100% pure is amsterdams longest running techno label, co-founded in 1993 by dylan hermelijn aka 2000 and one & sandy huner and now run solely by dylan.
for 100% pures 57th release we welcome back amsterdams talented techno duo – gimikk, aka daniel mumbling sanchez and e-contact (eelco augustijn).
accomplish sickness is a masterful mix of dirty scraping techno treats propelled by catchy muted djembe rhythms and surprising vocal snippets. you are going to love this infectious melody – it wont make you sick but you will be dying to dance to it.
while on the flip you will find paco osuna taken time out of his dj residency at barcelonas club4 to produce this thumpingly clever remix thats (100%) pure dancefloor.

moscow aka matthew nicholas waites is a brightest hope of new disco scene. matt have started his producer career as nightmoves. its his remix work project and he has provided the remix for klaxons, van she, robbie williams,freeform five vs mylo, roisin murphy and more. in 2008, matt started moscow project to make deeper, atmospheric music and made the two remix for mighty thisisnotanexit label, the remix was supported by aeroplane and namea few. this >throw up ep< is a long awaited debut single as moscow. original version is a bumping acidy boogie disco stuff and brontosaurus aka artom wambe remix is housy and deeper, its for all round.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

daniel steinberg and front room are like annoyingly sexy couples that you end up in the next hotel room to on a company business trip. except of course daniel steinberg and front room dont actually have sex they just literally make sweet music together. the spiciness continues with the preacherman ep, daniel steinbergs fifth release on front room recordings. punctuated with the exotic and the kind of twists, bumps and energy that only steinberg can provide, preacherman kicks off a cacophony of funk fuelled head nodding to get any party pulsating. “you need love” with its in-your-face vocal, huge beat and sleazy decelerating breakdown has future classic written all over it. the long awaited tiefschwarz remix of “lucky sauce” also sees the light of day here in full effect and breathes a new layer of ‘wow’over a release that is only really just beginning to simmer down from its release in june. wonked out groover who stopped the music rounds proceedings off nicely on an ep that is audio proof that the stroke of his talent only gets more precise and dazzling with every release. daniel steinbergs releases are supported by the likes of ricardo villalobos, luciano, claude vonstroke and richie hawtin to name drop a few. watch this space for daniel steinbergs artist album coming out on front room in 2010

played by: dj vibe, 2000 and one, bushwacka, slam, michel de hey, axwell, funk d void ...
mauro picotto returns to spread more of his own brand of italian-alchemy amour! after the fantastic success of >diamond<, picotto returns with his end of summer anthem >love message<. with the success of his meganite ibiza parties still fresh, mauro drops his latest dancefloor gem. the don of melodic techno takes a softer, yet no less powerful route on >love message<. housey beats, and euphoric synth line make the original a sure fire, hands in the air number.
on remix duty and in keeping with his trend of mighty mix packages, the label head has drafted two of the hottest talents of today. first up is belgium producer and great stuff artist ramon tapia, who turns in not one, but two takes on the original. his >first message< is a low-slung tech groove machine, that chops the originals synths and stabs them throughout. his >second message<ups the pace with its rolling bassline and white noise breaks, again the cut-up synth stabs feature.

real disco classics everyone should know!!!

lfm (love for music) or more commonly known as stilove4music is back with a straight banger from detroit and what a treat it is. with countless releases under his belt and with kdj, theo parrish & marcellus pittman under the 3 chairs moniker, the godson aka rick wilhite is already a legend in his own right. his productions are simply unique. can you feel me is ricks second offering for lfm. it is a deep, relentless detroit house joint perfect for the late late night set. dj marquis – a newcomer on the detroit house scene – set things straight with a soulful house jewel – head over heels that somehow should make any new jersey producer worried for a minute. finally, tj dumas, one of the creator of the beatdown crew, set things straight with his personal vision of disco. these are the lost tracks from detroit, songs made by detroiters for detroits sweaty dancefloors. enjoy a rare piece of music. ltd backstock

this 4 trackers by the man called absurd showcases the different styles that make bass music today:

supernature hasnt put a foot wrong since its inception back in late-2007 with a stream of fluid, percussive housereleases hitting the spot for an army of high profile jocks.
>el condor< by pele closes a great 2009 for the label and maintains the quality levels in fine style. with just a handful of original releases since 2005, mostly for the impeccable connaisseur imprint, patrick gallenmüller aka pele has managed to make a disproportionate impact on housemusic. his releases and remixes have seen massive support and a quick check on his myspace reveals a dj diary of artists twice as prolific - a testament to the quality of his work (and his djing). the title cut of this threetrack/one remix ep sees the bavarian producer present a track which combines the simplest of elements into a hynpotic yet memorable track.

back in the day, when i discovered the music from reggie dokes and the psychostasia label i felt something similar as when i listened for the first time the music from lil louis at the end of the 80s. i mean... is this music really house? it must be because all the good househeads play and respect his stuff... perhaps just for that different and unique way of make house...

tracks by ismael sanchez & stevan chaves, taito tikaro, j. louis & ferran feat clarence, carlos gallardo & juanjo martin feat nuria swan & patrizze, mark c and first mike!

noir & fraser owen hooked up in late summer 2009 to create this monsterous samba tech house tune and spent 2 months testing the track, adjusting arrangement and details to make it 100% perfect.
>&u< always cause a stir in the clubs and usually make the residents djs go…… >wow! wtf is that ?????<we hope you you will react the same way ,o)
mendo & danny serrano did the >cool-factor< tech house remix of this tune. coming from releases on cadenza, suchreflex and get physical we are proud to have this remix in the package. quality tech house with the perfect house sound-of-now vibe.
kruse & nuernberg is back on remix duties for noir music after the their great success on the kolombo remix on dark stars 3. another superb deephouse remix and one of those must-play warm up tunes to make people get into the groove early on.

peter van hoesen returns with his time 2 express label after being on tour during the summer season. and in the meantime he got a great selection together with remixes and new tracks by the t2x artists. peter himself is getting a dirty make-over job executed by norman nodge and pendle coven. with exciting results as one might expect from these guys! sendai and samuli kemppi delivering some powerful abstract basement techno tracks. t2x with another essential techno release!

inspired by a post nuclear structure, its time to building up a solid fortress to avoid natural catastrophes. while obtane is constructing a solid and deep basement of stormproof pulsations and dry rhythms, giorgio gigli is finishing up the work adding ultramoody and mind blowing atmospheres to make your new home a perfect heaven.

european percussionist and afro-urban concept leader eric thomas performs live in clubs with music partner dj celyan for more than 10 years. they recently put their creativity together to make their first vinyl. the result is a tribute to some popular brazilian rhythms such as capoiera and samba adapted for clubs and djs.

once again, lump sticks to his guns and brings you strangely funky tunes to make this world a better place . it s too late. the world has gone sombre and our man walks the desolate streets. the femme fatale is there, right under the street lights. the gansgster are all around. bobby has been shot and all the junkies are surrounding the dealer in the back alley. this is no house as you know it. this is harcore funk. it s noir, it s dirty, it s dangerous and risqué. run. the cops are coming...

big with: thomas schumacher, italoboyz, brendon moeller, kiki, solomun, patrice baumel, xpress2, ralph lawson, patrick chardronnet, crock, michel de hey ...
lopazz, who had great releases on get physical & kompakt, as well with his labelmate alex flatner (>make up your mind<) on cocoon recordings, joins forces with his buddy zarook on circle music with this excellent 2 tracker. zarook, as well known for his releases on lo-fi, stereo or italic and his famous uv-klub (10 year anniversary in 2009). both worked together already for the credit card receipt release by lopazz on get physical.
on the new circle release they are proving their music abilities again with a unique sound!

clean your vinyls and make them antistaic...

with after midnight glocal evokes the solid influences that surrounded their process of musical maturation in the 80s and 90s. new wave / disco rock basses and drums mingle with house from chicago, gothic bass solos, post punk vocals, and soul falsettos and chords that make reference to the techno from detroit.

da ist sie, die dritte home sweet home compilation! wie in jedem jahr finden sich hierauf erlesene tracks aus dem greifbaren upon-you-labelumfeld, gemacht von künstlern, die auch auf der traditionellen home-sweet-home-neujahrssause in der berliner arena auflegen oder live spielen. wie gewohnt besteht das release aus zwei teilen und gehört für uns zu den schönen devotionalien unserer labelgeschichte: miko von channel x und empro schieben stolz ihr gemeinsames techno- nümmerchen auf a1. die b2 liege hat sich unser talentierter uy - neuzugang echonomist aus griechenland gesichert, der sich hier zuverlässig von seiner sonnenseite zeigt. besonders freut uns auch, dass uns unsere polnischen kollegen von catz n dogz ein reizendes b1 housegeschenk unter der tür durchgeschoben haben und dass durch die berliner handwerkerhände von zadak & kotelett ein ebenso meisterliches a2-tanzbrett für uns entstanden ist

once again jay denes and lisa shaw come together to make a slice of vocaly and emotionly motivated music that pulls from classic r&b (i.e. gladas night and marvin gaye, not destinys child) as much as modern deep house. the moustached boy wonder comes in as the petalpusher and gives us his tough beats, pretty basslines and memorable melodies that make for a classic miguel migs mix. the besoul mix is all bassline, the kind that makes you immediately start bobbing ya head like a chicken and wanna start dancing all sexy on the closest person available. what can you say, naked music makes soul music for the year 2002, futuristic funk for the lovers.

luca bacchetti is back on ovum with the follow up to the incredible no time to get back ep. luca has delivered two incredible tracks that are sure to make as big an impression on the dance floor as his previous ovum release.

redux continue to pile on the pressure with a stellar line up of releases ready to drop through 2009 and beyond next up we have new yorks drrtyhaze, who ve dipped in and out of the discopolis with a handful of deadly cuts and remixes over the last couple of years. here they revisit the heady days of early house a la trax records, and update the sound into an altogether crispier form on the monstrous new york city jacks the mysterious ppf crew turn in a super heavy weight remix inspired in no small part by the raw energy of ron hardys musicbox sets a full bells and whistles workout thats already causing a stir from early promo mailouts finally make my body hot wraps up the ep with a brass punctuated slab of girth some balearia.

baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

marco bernardi was an obvious choice for who got to do the first album on frustrated funk. representing his most delicate compositions ranging from freaky minimalistic electro trickery to the sweetest and intense excursions in the field of what they use to call intelligent techno . we simply picked out his best moments along the line and put it all together for this brilliant presentation. with this piece of art we show again that we don t give a shit about new styles, trends and hypes. we just want to deliver a very sweet package that you will still be playing and cherish in 15+ years from now. this deluxe double vinyl album will be sweetened with hand stamped label art, hand made screen printed sleeves and pressed on pretty pink transparent vinyl to make this package extra special. enjoy!!

the viennese djs and producers smacs & patrick kong transformed their studio into a grow room. >no more experiments!< says smacs, when being interrogated about specific preparations for gigs outside of the austrian capital. their critics say: >on the long run the move towards self catering and regional consumer awareness will lower the production output of s&p<. the critics are full of shit though, because the opposite is happening. the recording booths new dedication >gives (you) wings< as a globally known austrian marketing slogan states. >growers< simply became their new single theme. of course dirt crew is around handling business when things get dirty in the techno scene. but instead of cleaning up, the two berliners mash the dope up with their favorite flavors and create special blend of its own, which will probably make it into this years finals of the legendary grand cup. indoor or outdoor, this tune will work!

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

as the days get darker so shall the music, so on that note we welcome back the fold moscows own polymorphic with the ever turbulent rock on ep. this time out polymorphic delivers the goods with 3 new tracks, rock on, scream & move faster. the ep also features a remix of the title track by marseille who also had a hand it turning out proxys raven last year. this ep is not for the feight at heart. both mixes of rock on tear things up with a decidely old school electro undercurrent while keeping things noisy and agressive on the top end. and there s only one thing we can really say about the last two tracks because they are that scary... scream will make you move faster.

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

jack frost is affected chicago house and detroit techno. however, we originally make out the track, its a great dj tool, thumping baseline and play out of minimal. including s2 and takayuki shiraish remixes.

deep detroit style original mix in co-op with ronald christoph from berlin plus benno blome (sender) and stev cole (schallbox) remixes. 3 very different takes to make you want to move while the lashings of analogue synth sounds are warm wnough to make you leave your wooles at home as you head out to your fav club this winter!

all the way from new zealand to the urban landscapes of berlin, simon beeston is a man who likes diversity. this is not just evident in his choice of residence, but also in his musical output. following an ep on highgrade digital and a track on our various artists vol. vi record, simon now presents dusty back room, his first solo 12inch release on highgrade. the ep opens with the title track dusty back room, a track of strings and stabs, and a sound not exactly typical of previous highgrade releases. but when the music comes with such compelling energy and provocative atmosphere, were prepared to make an exception. new zealand meets berlin as we cast an eye over green landscapes and ocean swells, while the bumpy groove intoxicicates us with its magic spell. that simon beeston is a man of great contrast is clearly evident on the b-side with neon cringe and cymbolic. the percussive heat of the club brings us back from the organic landscape of his homeland and into the neon lights of the night. neon cringe resonates with a healthy dose of acid pump, while cymbolic provides a bass driven journey complete with cut up vocals and blistering cymbal rolls. this is a release that richly deserves its round number: highgrade number 70. especially with the addition of the bonus digital track tough luck, another highlight all of its own.

the second m_recs release confirm the label concept: pure techno sound. in this release max m (m_recs owner) presents the title track >egg< with his repetitive groove characteristic. three big artists make the remixes. the first one by the english chris finke (flux recordings), the second one its too hard by the dutch techno master bas mooy (audio assault) and the third rmx is by the dutch intelligent techno artist charlton ravenberg (labyrinth, audio assault). if this is just the second release, i cant imagine the future of this label. its a concentrate of the best techno for all the techno crowd. big!

this time is all about peak time. alessio and virgil, masters of evil techno, board the boat with two amazing dance floor killers. the power of the one, on side a, has all the elements needed to make the crowd scream and jump: jackin drums and all those layers of crazy synths creating that tension we all love. on side b, kamun brings some elastic mayhem to our ears. again, a dark dense atmosphere is the vehicle over which the tension evolves. this time, its a fat sawtooth synth which adds all that frenzy to this peak time track.

>seleccion natural< is a project made by the cream of spanish techno, this four part work has seen the light on different labels and now its time for warm up.
oscar mulero delivers the original parts and version for this tune, reworked and revisited by the rest of the partners in crime: christian wunsch, exium and reeko, each one giving their own vision on the noises made by oscar.
original mix kicks off with broken rhythms, crunchy and industrial like, with a heavy synth line approaching till sweeping drones and abstract textures bring to an epic breakdown that will sure destroy more than one bass speaker. another energetic piece of intelligent dance floor techno.
wunschs work is more direct and 4x4 based, taking the synth line from the original and adding detroit flavoured stabs and sharp claps to make a massive techno tool.
exium offers a completely different vision, using the drones and textures as starring, plus arpeggiated synths and baroque percussions fills the arrangement. energy is the word for this remake.
closing release reekos version recreate the spirit of the original, with broken drums again, using the synths on a clever way, extending the arrangement longer on an epic development till the bass drum comes in after 3 minutes of metallic madness. the ultimate release of a series on the most eclectic way. absolute quality.